As mentioned before I have been struggling with my theme book. I had come to a decision that I am going to use the river and 15th/16th century embroidery as my inspiration. There is much to work with and I have kept being drawn back to the rusty old tug boat. I did manage to get permission to view the boat up close. I was not allowed on it as it was too dangerous as it is deteriorating very badly. It was wonderful to be able to photograph the boat from so close. The different surfaces and colours are what I am being drawn to. I am thinking about layers and peeling back. I also want to try to incorporate some of the flowers and grasses that I see along the riverbank.
As an added surprise I was able to have a walk around the boatyard and found lots more to inspire me. There was rust and peeling layers of paint everywhere. I find the colours and textures fascinating.
I think my main concern about my theme book has been how to work in it. How do I set it out? I am going to be in contact with my tutor very soon and when I speak to her I will mention these concerns. Thinking about it though I suppose it should not matter and I should just work through and see where it takes me.
Below is work from my theme book. I have been concentrating on the textures and colours from the deteriorating surfaces of the tug boat. I really like the rusting and flaking paint on the boat. I have been working with paint and paper and now feel ready to start working on fabric and stitch samples. I have the idea of textured backgrounds and hand and/or machine embroidery over the top or on layers applied over the background. I have in mind at the moment to stitch the grasses and wild flowers that I see when walking by the river. I am going to gather together all materials that I have in the textures and colours I have in mind. I will spend some time also colouring fabric to the effect I would like. After having a slow start I feel I am moving on more now with this part of the course. I have realised that I just need to start working from my source material not worrying about whether everything is correct or neat or it does not work out how I envisaged. I have actually had a couple of nice surprises from pieces that have not turned out how I thought they would. This has helped me to just experiment and to remember that this is a journey and I will get to a stage where I am happy with the outcome but always to be mindful that I could go further with it if I wished.
I do find it difficult to go from art work into stitch samples. When doing the art work I can go on trying technique after technique and wonder if I should restrict myself more before starting stitch samples.
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